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One man screams in pain as his helmet is crushed by an unseen foe and another is dragged away into darkness. He convulses, collapses to the ground and a swarm of flies fly out of his mouth which then attack other members of the group. One man holds the handle of a weapon which suddenly sprouts sharp spines that cut into his hand the bloody wounds are shown on-screen for a few seconds. Several men enter a lair and are soon attacked by numerous witches.
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CONTENT: IS ‘THE LAST WITCH HUNTER’ SUITABLE FOR CHILDREN? ‘The Last Witch Hunter’ has entertainment in spades and although it’s violence is likely to be too strong for younger viewers, its adult tone sets it apart from similar movies which are often aimed at kids but struggle to get the tone right. The plot doesn’t do anything beyond the normal set pieces but this does not devalue the inherent charm of having a character the audience can root for.Īlthough the film is relatively predictable, it is a great deal of fun and brimming with exciting action sequences. This type of character and the challenges he faces are nothing new but Diesel’s portrayal of a man who is strong but fair and entirely good brings a comfortable feel to the movie. Vin Diesel, arguably most famous for his role as Dominic Toretto in the ‘Fast and the Furious’ franchise, finds himself in an entirely different role as a tired, lonely man who fights against evil, never quite knowing who he can trust. His invincibility allows him to be tough and brave but his inherent goodness keeps him grounded, balanced and seeing the good in the people around him. ‘The Last Witch Hunter’ follows an immortal man (Diesel) in his never-ending battle against evil.
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**PLEASE BE AWARE THAT ONE SCENE IN THIS MOVIE CONTAINS AROUND TWO MINUTES OF INTENSE AND CONTINUOUS STROBE LIGHTING** REVIEW: ‘THE LAST WITCH HUNTER’ Starring: Vin Diesel, Rose Leslie, Elijah Wood The Last Witch Hunter (2015) – Director: Breck Eisner Kaulder, who continues the fight against evil realises that the threat is much worse than he initially thought and, with only a few allies, he must face the fight of his very long life. Eight hundred years later, a truce has formed a tenuous peace between humans and witches but there are still a few who wish to bring back the old days. Fast and furious on the surface, shallow and conventional beneath, Diesel’s bid to carve himself another billion-dollar franchise is off to a good start with this mainstream crowd-pleaser.The Last Witch Hunter – In the Middle Ages, witch-hunter, Kaulder, destroys the Witch Queen, but with her dying breath she curses him with eternal life. Steve Jablonsky‘s ever-present, over-insistent orchestral score also grates on the nerves before long. Less impressively, Eisner’s movie is clogged with cardboard characters, flat dialogue and a sluggish middle act that gets lost in too much fabricated witchy folklore. A couple of late plot twists also feel refreshingly left-field, even if they are shameless signposts for future sequels.
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In its favor, The Last Witch Hunter boasts some terrific production design and digital effects, notably the Witch Queen’s lair and a creature called the Sentinel, both nightmarish pagan constructions of shape-shifting wood and bone. Still, having such a wooden lead playing such a one-dimensional hero definitely makes it less appealing for casual movie goers. In fairness, these limitations are unlikely to deter the movie’s action-fan target demographic. In The Last Witch Hunter, he acts opposite an immobile corpse and a wooden tree monster, yet still somehow manages to be stiffer than both. But more recently he seems to have settled comfortably into Steven Segal mode, a walking bag of boiled ham whose expressive range barely extends beyond sleepy-eyed, guttural grunts. All smirk and bicep, he was once earmarked as the natural successor to Bruce Willis. The one truly impressive thing about Diesel’s acting skills is how he has achieved so much with so little.